Monday, February 28, 2011


The Beatles - Album 'With The Beatles'

6. Till there was you
8. Roll over Beethoven
9. Hold me tight
14. Money


CD The Beatles - Album 'With The Beatles'


Friday, February 18, 2011


          Probably the most popular, influential and enduring rock   group of all time, the Beatles almost single-handedly reshaped rock 'n' roll from a genre of throwaway singles by faceless stars to an artistic medium with recognizable images and idols. The Beatles placed the emphasis on a group, rather than a single individual (like Frank Sinatra or Elvis). They also set an example for all rock acts to follow with their strong sense of self-determination, going against their record company and management on many issues, even refusing to tour at the height of their popularity. Their countless hit singles have become modern-day folk songs, covered by hundreds of individuals and groups and inspiring countless more, and have sold more copies than those of any other band in history.
             The roots of the Beatles date back to Liverpool, England in the late 1950s. Inspired by the growing British skiffle craze, John Lennon bought a guitar in March 1957 and formed a skiffle group called the Quarrymen, named after his high school, Quarry Bank. The lineup changed frequently, but by October 1959 it consisted of Lennon, his younger classmate Paul McCartney, George Harrison and drummer Colin Hanton. By March of 1960, Lennon's art school classmate Stuart Sutcliffe joined the band on bass and suggested the name the Beetles, a response to Buddy Holly's group the Crickets. By that summer they were the Silver Beatles, settling on the Beatles in August. That month the Beatles departed for Hamburg, West Germany, with their new drummer Pete Best, to try to establish themselves in Europe. The band became a popular local act, performing at various clubs until they were expelled from the country in November because George Harrison was underage. The Beatles returned to Germany in early 1961 to record as a backup band for singer Tony Sheridan; these sessions were later released during the mid-'60s as "new" Beatles material, taking advantage of unsuspecting fans. Meanwhile Sutcliffe had left the band to pursue his art career, with McCartney taking over on bass. Sutcliffe died of a brain hemorrhage the following year.
         Throughout 1961 the Beatles played clubs in Britain, becoming an underground sensation; they were particularly famous at the Cavern Club in their native city of Liverpool. Though they played mostly covers, Lennon and McCartney began writing original songs together, agreeing to forever share songwriting credits, even though they only co-wrote a handful of tunes during their entire career as the Beatles. By the end the year, Liverpool record store owner Brian Epstein had become the band's manager, and quickly began trying to find them a record contract. On January 1, 1962 the Beatles auditioned for Decca Records, performing 12 covers and three originals for A&R assistant Mike Smith. The group was rejected, however, and told that "guitar groups are on the way out." Undaunted, Epstein got the group an audition at Parlophone, an EMI subsidiary, with producer George Martin, who signed the Beatles on May 9, 1962. After one recording session, Martin suggested that drummer Pete Best be replaced, and the Beatles brought in Ringo Starr (born Richard Starkey), a well-known local drummer, as his replacement. By October 1962 their first single, "Love Me Do" b/w "P.S. I Love You," was a U.K. Top 20 hit, allegedly because Epstein bought 10,000 copies himself to ensure that it would chart. The band began regular guest spots on the BBC, performing over fifty times between 1962 and 1964.
          In February of 1963 the Beatles returned to the studio to record 10 songs (in one day!) for their first album, Please Please Please Me, which was released the following month. It became an instant hit, staying at No. 1 in Britain for 30 weeks and by October, female fans were screaming at their performances -- the start of "Beatlemania." Following an early November performance before the royal family, Parlophone released a second Beatles album, With The Beatles. By the end of the year the group had sold over 2.5 million albums in Britain, and had a string of million-selling singles.
Naturally, word about this amazing new act soon spread to America. Yet, ignoring the British success of the Fab Four, EMI's U.S. partner, Capitol, declined to issue the first few Beatles singles, which were instead picked up by the Chicago-based indie label Vee Jay Records. Vee Jay packaged the early singles as Introducing the Beatles, their first U.S. LP. During the second half of 1963 it was the only Beatles material available in America, and sold incredibly well; by 1964 a court awarded the rights to all Beatles recordings to EMI/Capitol, and the record went out of print, only to become one of the most counterfeited albums in music history.
          In January of 1964 Capitol released their first U.S. Beatles LP, Meet the Beatles, containing remixed material from their two British albums. Following a landmark three- weekend stint on the Ed Sullivan show in February of 1964 (viewed by over 73 million people), the Beatles were the biggest band in America -- "Beatlemania" had taken hold of the U.S., also paving the way for other "British Invasion" groups. To capitalize on their incredible popularity, the Fab Four were made the stars of a comedy film, A Hard Days Night, which, surprisingly, earned good reviews and, not surprisingly, spawned a hit soundtrack album. Following the release of the movie in July, the band embarked on their first North American tour, performing 25 stadium dates in the U.S. and Canada. By the end of the year Beatles For Sale was in British stores, part of EMI's plan to have a new Beatles album out every six months, while their previous albums and singles still clogged the U.S. and U.K Top 10. In 1965 the band appeared in a second movie, the James Bond spoof Help!,which also spawned a soundtrack album. Another huge U.S. tour followed.
           Not content with their unprecedented commercial success, the Beatles began to take their music more seriously, shifting from covers and upbeat pop love songs to more introspective, experimental material, highlighted on December 1965's Rubber Soul. The next U.S. Beatles album, Yesterday...And Today, was released on June 15, 1966 and featured a shocking cover featuring the handsome Fab Four surrounded by raw meat and butchered baby dolls, a protest against Capitol's "butchery" of their albums in the U.S. market. Complaints from retailers immediately rolled in, and the album was withdrawn, reissued the following week with a new, mundane cover of a steamer trunk. (Today copies of the album with the original cover are worth thousands of dollars.) Further controversy plagued the group when John Lennon claimed in a newspaper interview that the Beatles were "more popular than Jesus." Many radio stations stopped playing their songs, and protesters appeared outside their concerts. Meanwhile the group was increasingly under the influence of the Maharishi Mahesh Yogi, an Indian guru; this flirtation with Eastern religion soon became common among '60s rock stars, and, more interestingly, lead the Beatles to experiment with Indian sitar music on their next few albums. The band also began using copious amounts of psychedelic drugs, foreshadowing the "flower children" of the next few years.
                Following the release of Revolver, their most mature effort to date, in August 1966, the Beatles embarked on their final U.S. tour, playing their last live show at San Francisco's Candlestick Park on August 29th. Henceforth, the band announced, they were going to eschew live performances to concentrate on more elaborate studio recordings. Rumors of a breakup were spread in the media as the band disappeared from the public. The Beatles spent much of early 1967 in the studio, recording their magnum opus, Sgt. Pepper's Lonely Hearts Club Band. This groundbreaking concept album completely changed the way rock albums created: it used numerous studio effects, placed the emphasis on the album as a whole rather than on singles, and rewrote the standard for cover art with its famous mannequin-based photo collage.Sgt. Pepper's later won four Grammys, including Best Album.
            On August 27, 1967 Beatles manger Brian Epstein was found dead of a drug overdose, possibly intentional. The band was shaken, but decided not to hire a new manager, assuming complete control over their own career. Their first project without Epstein's guidance, the concept album and BBC TV special Magical Mystery Tour, was attacked by critics, and perhaps was the beginning of the end for the Beatles. By 1968 the group had formed its own record label, Apple, and was recording tracks for a new double album. Sessions were filled with tension as members of the group stormed out periodically and often failed to record together, turning in tracks recorded independently. The often bizarre result, popularly referred to as The White Album but officially called The Beatles, was released in November of 1968, and featured a guest appearance by Eric Clapton on the single "While My Guitar Gently Weeps." That same month John Lennon released a solo album recorded with his controversial new lover, Japanese-American artist Yoko Ono, entitled Unfinished Music No. 1 - Two Virgins.Late in 1968 an animated film inspired by the song "Yellow Submarine" was released in theaters. Despite the cheery tone of the film, created with little band involvement, the real Beatles were hardly speaking, spending more time on their personal lives and own musical projects than on the group.
            In January 1969 the weary band began preparing to record a new album live in the studio, without any overdubs, tentatively entitled Get Back. For an accompanying film, the Beatles performed on the roof of their studio, their last public appearance ever. While preparing the album, the group began to fight over creative issues, and the project was shelved amid many bad feelings. On March 12, McCartney married American photographer Linda Eastman; several days later Lennon formally married Yoko Ono. By May the Beatles' situation worsened when the group appointed Allen Klein as their new business manager, despite objections by Paul McCartney, who wanted to give the job to his new father-in-law. Though conflict continued to plague the group, the Beatles returned one last time to EMI Studios to record Abbey Road with George Martin, an amazingly cohesive album. By early 1970 each of the four Beatles was working on a solo album, but each publicly denied rumors of a split. In September 1969, Lennon told his bandmates that he wanted to quit, but because the group was renegotiating with EMI at the time, the breakup was temporarily put aside. Meanwhile, rampant rumors spread across America that Paul McCartney had died in an auto accident several years earlier and had been secretly replaced by a look-alike; the alleged "clues" hidden in lyrics and cover art were quickly proved to be the product of overactive imaginations.
              Sadly, internal tension resurfaced in the Beatles when Allen Klein brought in Phil Spector to produce and overdub Get Back (released in May 1970 as Let It Be) against Paul's wishes, also demanding that Paul delay the release of McCartney, his solo debut, in order to avoid detracting from sales of Let It Be. In anger, McCartney released his album in April, before Let It Be, and publicly announced that he was quitting the group. On December 31, 1970 McCartney filed suit against Klein to break up the Beatles, which upset the other three, who had considered periodically recording as a group while continuing their solo careers -- now any chance of a reunion was gone, at least for quite a while. Apple Records became a financial and legal mess.
           During the 1970s each of the Beatles released solo albums. McCartney, performing with wife Linda in the group Wings, was the most commercially successful; Lennon recorded on and off with Yoko Ono, and continued to attract attention for his radical politics (though he semi-retired from music in 1975 to spend time with his newborn son, Sean). Throughout the decade there was idle talk of a reunion, peaking around 1976 when a Beatlesque Australian group named Klaatu was rumored to be the Fab Four under a false name (they weren't, though their manager and record company encouraged speculation) and Saturday Night Live producer Lorne Michaels half-seriously offered the Beatles $3,000 to perform on his show. Though all four Beatles did contribute to the 1973 Ring Starr song "I'm the Greatest," no genuine reunion ever took place. On December 8, 1980 all chances of that happening were ended when deranged fan Mark David Chapman shot and killed John Lennon outside his New York apartment.
         Although the Beatles had not released any new albums since 1970, interest in the group remained high into the '90s, their backcatalog selling millions of copies a year and providing Capitol with a large percentage of its annual income. Publishing rights to all Lennon-McCartney compositions were sold during the '80s for hundreds of millions of dollars, at one point passing through the hands of Michael Jackson. Though Capitol issued singles/out-takes compilations such as Past Masters and Rarities,a lot more unreleased material remained unavailable due to ongoing legal problems, and ended up on illegal bootlegs.
          By the early '90s Paul, George, Ringo and Yoko Ono settled their contractual disagreements, permitting the re-release of long unavailable recordings. In 1994 Capitol issued a double CD of early Beatles recordings for the BBC. Phenomenal sales of Live at the BBC inspired more exploitation of the Beatles legacy. In 1995 the surviving Beatles came together to contribute to a TV documentary about the group and select material for a planned rarities anthology of out-takes and demos. While together, Paul, George and Ringo laid down music for two John Lennon demo out-takes, "Free as a Bird" and "Real Love." Though the sound quality was often abysmal, the material inferior, and the surrounding hype insulting, America's aging populace ate up the three 1996 double-album releases, Beatles Anthology 1, 2, and 3, which sold over 15 million copies in less than a year.

Article from : Beatles Booklet 4.1
Thursday, February 17, 2011

      John Winston Lennon was born on October 9, 1940 to a troubled, working-class Liverpool family. John's father deserted his mother when John was only three, so at an early age Lennon was sent to live with his aunt in the suburb of Woolton, where he was a rebellious child. Frequently skipping school and doodling instead of studying, Lennon left Quarry Bank High School at age 16 after his aunt persuaded the headmaster to write him a recommendation to Liverpool Art College. At art school Lennon became involved in music, buying a guitar and starting a skiffle band in early 1957. That band, the Quarrymen, evolved over the next few years into the Beatles. Lennon remained a principle singer and songwriter for the band through its decade-long career, splitting these duties with Paul McCartney. The pair agreed early on to share songwriting credits, though they directly collaborated on only a few of the Beatles' hits. Lennon, for his part, contributed more experimental and mystical music during the band's later years, while McCartney was more pop-oriented; Lennon also led the group into drug use during the mid-'60s and encouraged them to follow his guru, the Maharishi Mahesh Yogi.
                 Shortly after forming the Beatles, Lennon married an art school classmate, Cynthia Powell, with whom he had a son, Julian, in 1963. Their marriage was rocky, especially after Lennon began openly dating an older Japanese-American artist named Yoko Ono. Cynthia divorced John in 1968, clearing the way for John and Yoko to begin living and working together full time. Shortly after the release of 1968's The Beatles (aka The White Album), John and Yoko released the experimental "found sound" collection Unfinished Music, No. 1 -- Two Virgins. The cover of this album featured a naked photo of the couple, causing it to be banned from many stores. Lennon and Ono became the subject of media attention as reporters speculated that Ono was "controlling" Lennon and causing trouble for the beloved Beatles. In the spring of 1969, shortly after the trouble-filled Get Back sessions were completed, Lennon and a very pregnant Ono embarked on a "honeymoon" to Europe, stopping along the way to get married in Gibraltar on March 20th. The couple staged a notorious "Bed-In" at the Amsterdam Hilton, where they recorded the single "Give Peace a Chance," released later that year. Opposition to the Vietnam War was very important to the couple, who constantly decried political injustices from their celebrity bully pulpit.
               The newlyweds returned to England in May 1969, where Yoko had a miscarriage, the first of several. To deal with their anguish, John and Yoko hastily recorded two more avante- garde albums, Life with the Lions -- Unfinished Music No. 2 (which features such "songs" as flipping through various radio stations and several minutes of silence) and The Wedding Album (whose entire B-side consists of John and Yoko screaming each other's name). After recording Abbey Road during the summer of 1969, Lennon flew to Toronto, where he performed at a September rock 'n' roll festival with "The Plastic Ono Band," consisting of Ono, famed guitarist Eric Clapton, German session bassist Klaus Voormann and drummer Alan White; the band's performance was captured on a live album released later that year.
            As Lennon spent more time collaborating with Ono, he began to distance himself from the other Beatles. In late 1969 he informed the group that he wanted to quit the band, but because contract negotiations were underway with EMI, his decision was kept quiet. Lennon and the Plastic Ono band recorded the single "Cold Turkey," about Lennon's struggles with heroin, but the song was not particularly popular. Lennon intensified his political actions, paying for billboards in various cities that called for the end of war, and returning an award given to him by the Queen in protest of Britain's involvement in Biafra. Lennon refocused on his music career in February 1970 with the Top 10 hit "Instant Karma." Two months later Paul McCartney released his debut solo album and publicly announced the end of the Beatles, angering Lennon, who had first had the idea and wanted to be the one to break the news. Lennon vented his anger with John Lennon/Plastic Ono Band, his first official album, which consisted of highly personal songs often screamed in rage. A few months later, in early 1971, Lennon released the protest song "Power to the People."
                 In the spring of 1971 Lennon and Ono relocated to New York City, moving into the Dakota, an historic apartment building on Central Park West. Lennon wasted no time becoming involved in American society, siding with Chicago Seven political radicals and frequently speaking out on political issues. That fall Lennon released his most popular solo album to date, the No. 1 charting Imagine, which dealt with personal and political issues in a more accessible manner than his earlier works. In early 1972 Lennon began fighting off U.S. Immigration Authorities, who had denied him a work visa due to a 1968 conviction for marijuana possession. Partially in protest, Lennon collaborated with the radical New York band Elephant's Memory on the album Sometime in New York City, a simplistic political work which is widely regarded as a commercial and artistic failure. In 1973 the INS ordered Lennon to leave the U.S.; Lennon refused, and began publicly attacking the agency. Later that year Lennon released the surprisingly tame Mind Games, whose title track was a minor hit.
              In 1974 Lennon separated from Yoko Ono, relocating to Los Angeles. For the next two years Lennon became heavily involved in drugs, and became a frequent attendee of celebrity parties and wild night clubs. Through the party circuit Lennon developed a friendship with Elton John, with whom he co-wrote the song "Whatever Gets You Through the Night," Lennon's 1974 No. 1 comeback. The single was featured on the album Walls and Bridges (which also reached No. 1). On Thanksgiving night Lennon joined John onstage at Madison Square Garden, a legendary performance which turned out to be Lennon's last public concert. The following year Lennon recorded a contractual obligation album, Rock And Roll, a collection of cover tunes from the 1950s. Several months before the official release of the album, businessman Morris Levy released a bootleg of the record as Roots. Lennon later sued Levy, winning a large judgment in court.
             By the end of 1975, things had turned around for Lennon: Elton John had helped John and Yoko resolve their marital differences, and in early October an appeals court overturned the deportation order which had been haunting Lennon. The following year Ono became pregnant yet again, and on October 9, 1976 (John's birthday) gave birth to their child, Sean. After contributing to a David Bowie album in the summer of 1976, John retired from music to raise his child and tend house, while Ono handled the family's complicated business and legal affairs and worked on her conceptual art.
             In early 1980 Lennon came out of retirement and signed a new record deal with Geffen. John and Yoko recorded a new album that summer, Double Fantasy, which was released in November. The highly listenable album and its first single, "(Just Like) Starting Over," both charted, and Lennon seemed to be on the verge of a comeback. While leaving his New York apartment on December 8, Lennon was approached by a sleazy-looking fan who requested an autograph. When John returned home several hours later, the fan was still outside his apartment, and shot Lennon several times. He died minutes later, and the crazed fan, Mark David Chapman, was quickly arrested. On December 14 at 2 p.m., Lennon fans around the world participated in a widely publicized 10-minute silent vigil. Naturally, Double Fantasy and "Starting Over" went to No. 1 and sold thousands of copies. As Chapman went to trial, bizarre details came out about the disturbed loner, who apparently was obsessed not only with Lennon, but also with the popular novel Catcher in the Rye. He was easily convicted and sentenced to an indefinite term in a mental institution.
     In the years following Lennon's death, his cult only grew. During the mid-'80s Capitol released several albums of unreleased songs, including 1985's Milk and Honey and a recording of Lennon's performance at a 1972 benefit concert, among others. In the ultimate exploitation of Lennon rarities, in 1995 and '96 the remaining Beatles recorded music over two "new" Lennon home demos from the late '70s; "Real Love" and "Free As a Bird." These tracks appeared on the 1996 Beatles Anthology albums as "new Beatles songs."
             Lennon-mania resumed with renewed fervor at the turn of the century with the publication of a handful of books on the life of the late pop star and cultural icon: Geoffrey Giuliano's Lennon In America, Robert Rosen's Nowhere Man: The Final Days Of John Lennon and Lennon Remembers: The Full Rolling Stone Interviews From 1970, featuring transcripts of interviews conducted by Rolling Stone editor Jann Wenner.


Article from : Beatles Booklet 4.1
Wednesday, February 16, 2011

     Paul McCartney is the most commercially successful rock composer of all time, both as a solo performer (with his '70s band Wings) and, most notably, as a member of the Beatles. McCartney's songs have hundreds of millions of copies worldwide; "Yesterday," written for the Beatles in 1965, has been played over six million times on U.S. radio stations, making it the most popular song in history. McCartney also holds the world record for largest paid audience at a concert given by a solo performer, drawing over 184,000 fans at a 1990 concert in Rio de Janeiro.
Born James Paul McCartney in Liverpool, England on June 18, 1942, McCartney showed an early interest in music, no doubt encouraged by his father, who was a part-time jazz musician. At age 14 Paul's mother died of cancer, but despite the trauma McCartney remained an outstanding student and even began playing guitar, learning the instrument before he was 15. While at a church picnic in the summer of 1957, McCartney was introduced by a friend to an older schoolmate, John Lennon, who played in a skiffle band called the Quarrymen. Paul soon joined the group and, along with John, became its principle songwriter. Over the next few years the group evolved into the Beatles, with Paul switching to bass. McCartney and Lennon agreed early on to share all songwriting credits, even though they directly collaborated on only a handful on songs; throughout the Beatles years "McCartney-Lennon" wrote and sang the vast majority of Beatles tunes.
After signing with EMI in 1962 the Beatles began releasing a string of hit singles, mostly McCartney-Lennon originals, and soon became the most popular band in Britain. By 1964 "Beatlemania" had spread to the U.S., and soon the Beatles were the most popular band in the world, producing numerous commercially successful and increasingly artistic albums over the next decade. Unfortunately by 1968 troubles began surfacing in the band, as the superstars began disagreeing over the band's musical direction and pursued increasingly independent personal lives. On March 12, 1969 McCartney married American photographer Linda Eastman. When it came time to select a new business manager for the Beatles several months later, McCartney suggested Linda's father, Lee Eastman. Other members, particularly Lennon, favored the savvy American businessman Allen Klein. McCartney was outvoted and Klein was hired, creating further tensions in the already troubled group and straining the relationship between Paul and his longtime friend Lennon (who was increasingly under the influence of his new wife, Yoko Ono). At the same time, McCartney had to fend off irritating rumors that he had died several years before and that "Paul" was actually a Paul look-alike. Though amusing, this was the last thing McCartney needed at this stressful time in his career.
Things quickly grew worse. Later in the year Klein brought in famed pop producer Phil Spector to prepare the abandoned 1969 Get Back sessions for release as Let It Be. McCartney became angry when Spector began inserting his trademark string arrangements and female backup vocals in several songs, most notably McCartney's own "The Long And Winding Road." Frustrated with the Beatles, McCartney, like the three other members of the group, began working on a solo album. The album, simply titled McCartney, was ready in early 1970, but Klein insisted it be withheld for several months to avoid cutting into sales of Let It Be. For McCartney, this was the last straw. He ignored Klein and released McCartney in April 1970, a full month before the scheduled release of Let It Be. In an April 10, 1970 magazine interview promoting his solo album, McCartney stated that he was no longer with the Beatles, that the group was no more. Though talk of a breakup had been brewing for many months, Paul's announcement angered the other Beatles, especially John, who accused McCartney of using the breakup to boost sales of his solo album when in fact John had been the first to suggest an end to the Beatles, nearly a year before. McCartney burned his bridges when on December 31, 1970 he filed suit against Klein and the other Beatles to dissolve their artistic and commercial partnership, forming his own company, McCartney Productions.
While the Beatles breakup drama was being played out before a distraught public, sales of McCartney were booming. The album, recorded with Paul playing all instruments and Linda on backup vocals, was composed of McCartney compositions rejected by the Beatles as well as new songs, and sat at the top of the U.S. charts for nearly a month. In 1971 McCartney released the hit single "Another Day" in advance of his second solo work, Ram, produced in full collaboration with Linda. After the release of Ram, McCartney formed the band Wings, consisting of Paul on bass and lead vocals, Linda on keyboards and backing vocals, ex-Moody Blues members Denny Laine on guitar and Denny Seiwell on drums. Wings released their first album, Wild Life, in December of 1971; the record was lambasted by critics as shallow, and consequently sold rather poorly.
Adding guitarist Henry McCulloch, formerly with Joe Cocker's band, Wings began touring the U.K. in 1972, releasing three British singles. Like Wild Life,1973's Red Rose Speedway earned poor reviews, but unlike Wild Life it reached No. 1 in the U.S. The McCartney-penned theme to the James Bond movie Live and Let Die also became a Top 10 hit. McCulloch and Seiwell left Wings, leaving the McCartneys to record 1973's Band on the Run. The new album was considered quite a comeback, McCartney's best post-Beatles material, and went to No. 1 in the U.S., selling over three million copies.
Encouraged by his changing fortunes, McCartney revitalized Wings by adding session guitarist Jeff McCulloch and ex-East of Eden drummer Geoff Britton to the lineup.The McCartneys also became outspoken proponents of animal rights, and frequently discussed their vegetarian lifestyle. The new Wings scored another hit with 1975'sVenus and Mars. McCartney allowed other band members to help write songs for 1976's At the Speed of Sound, the first true group effort by Wings. The album was another hit, and was followed by the band's first and only U.S. tour (commemorated on the live Wings Over America album). After taking most of 1977 off, Wings returned in 1978 with the platinum-selling London Town, featuring the U.K. No. 1 single "Mull of Kintyre," which sold over two million copies on its own, an all-time British record. McCulloch left the group later that year to join the re-formed Small Faces, but Wings continued on without him, releasing Back to the Egg in 1979, another commercial hit.
In early 1980 Wings prepared for a Japanese tour, only to encounter trouble at the border: A small amount of marijuana was found in Paul McCartney's luggage, and the singer-songwriter was imprisoned. After 10 days McCartney was released without any charges being filed, though he had to leave the country and the tour was canceled. Following a U.K. tour McCartney went on hiatus from Wings to record McCartney II, another solo album on which he played all of the instruments himself. After longtime friend John Lennon was murdered in December 1980, McCartney decided not to lead a planned Wings tour. Laine left the band in protest, breaking up the group.
In 1982 McCartney released his third solo album, Tug of War, a critical and commercial hit recorded with former Beatles producer George Martin. The album showcased the No. 1 single "Ebony and Ivory," a duet recorded with Stevie Wonder. The following year McCartney began working closely with Michael Jackson, contributing vocals to Jackson's first hit single "The Girl Is Mine," while Jackson sang on McCartney's next single, the No. 1 charting "Say Say Say," featured on 1983's Pipes of Peace. Not long after McCartney made his directorial debut with the 1984 film flop Give My Regards to Broad Street (to which he naturally contributed the top-selling soundtrack), the infatuated Jackson purchased the publishing rights to the Lennon-McCartney catalog, angering McCartney and ending their creative relationship.
After scoring the 1985 comedy Spies Like Us and delivering a sensational performance of "Let It Be" at that summer's Live Aid extravaganza, McCartney returned to recording with the 1986 album Press to Play, followed by the Russian cover albumChoba B CCCP, which was not released in the West until 1991. In 1989 McCartney began working with Elvis Costello, much as he had worked with Michael Jackson a few years earlier: Costello assisted with McCartney's 1989 hit Flowers in the Dirt, while McCartney wrote a few songs with Costello for his new album, Spike. McCartney, accompanied by a backup band, embarked on a world tour, his first since1979 and easily one of the most popular in concert history, breaking attendance records in several countries. After appearing on MTV's new "Unplugged" show, McCartney released sessions recorded at the show as 1991's Unplugged, the first of what was to become a franchise of "MTV Unplugged" albums.
Though he delivered another standard McCartney pop-rock record in 1993, Off the Ground, McCartney began to experiment with other genres of music. In 1991 he composed the Liverpool Oratorio, later performed by the London Symphony Orchestra, while in 1994 McCartney worked with former Killing Joke member Youth on an ambient called album strawberries oceans ships forest,released under the name "Fireman." McCartney became very busy in 1995, penning another classic piece ("The Leaf"), hosting a syndicated American radio show, and working with BBC producers on a documentary on the Beatles. Recognizing the Beatles' enduring popularity, when the three remaining members met while contributing to the documentary, they began working with EMI/Capitol to record music for two unreleased John Lennon demo tapes, "Free As a Bird" and "Real Love." These "new" Beatles songs, along with numerous long-forgotten Beatles demos and outtakes, were packaged as the multi-platinum selling Anthology series of double albums. Riding high on the resulting wave of Baby Boomer nostalgia, McCartney released a new solo album inearly 1997, Flaming Pie. The album entered the charts at No. 2 in both the U.S. and U.K. and received a Grammy nomination for Album of the Year. The same year, McCartney was knighted by Queen Elizabeth II, becoming Sir Paul McCartney.
1998 brought sadness with the death of Linda McCartney, who lost a long battle with cancer on April 17. Paul McCartney remained inactive for almost a year, returning in 1999 with Run Devil Run, a lighthearted collection of classic rock 'n roll tunes by the likes of Carl Perkins, Larry Williams and Little Richard.
Despite the inevitable difficulty of coping with personal loss, things began to look up for McCartney. In 2000, he confirmed his romantic involvement with former model Heather Mills, who he met through his activity in animal rights causes. Later that year, Capitol released his latest album, an ambient project titled Liverpool Sound Collage, on which he collaborated with Youth as well as Welsh rockers Super Furry Animals. McCartney and Mills announced their engagement the following year.
On June 11 2002, McCartney married Heather Mills, a former model and anti-landmines campaigner, in a highly elaborate ceremony at Castle Leslie in Glaslough, County Monaghan, in the Republic of Ireland. He has joined with her to campaign against landmines, and he has donated substantial sums to the cause; for example, in 2003, he held a personal concert for the wife of banker Ralph Whitworth and donated one million dollars to Adopt-a-Landmine. Paul and Heather's first child, Beatrice Milly, was born on 28 October 2003.
Of Paul and Linda's children, James can be heard playing guitar on McCartney's albums Flaming Pie and Driving Rain; Mary is the baby inside McCartney's jacket in the back cover photograph of his first solo album, McCartney and was one of the producers of the documentary Wingspan: An Intimate Portrait; Heather (Linda's daughter from her first marriage, whom Paul adopted) is a potter, and can be seen as a young girl in the film Let It Be; and Stella is a famous, award-winning fashion designer and animal rights activist. Paul's nephew, Josh McCartney, is the drummer of the Wirral band The Famous Last Words.
In 2002, McCartney launched another major American tour, garnering strong notices for an energetic and tight supporting band, and an evocative and varied show that appealed to fans of all generations. This leg became the top-grossing U.S. tour of the year, taking in over $126 million. The tour has subsequently continued around the rest of the world in 2003 and 2004. His backing band, formed for the 2002 tour and continuing with the same musicians to this day, includes Rusty Anderson (guitar/vocals), Brian Ray (guitar/bass/vocals), Paul 'Wix' Wickens (keyboards, guitar, accordion, vocals), and Abe Laboriel Jr. (drums, vocals).
Ticket for Pauls "Back In The World" tour, Arnhem, The Netherlands, 2003.
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Ticket for Pauls "Back In The World" tour, Arnhem, The Netherlands, 2003.
McCartney performed during the pre-game ceremonies at the NFL's Super Bowl XXXVI on 3 February 2002, and was the halftime performer at Super Bowl XXXIX on 6 February 2005. Unlike in many previous years, he was the 'only' performer in the entire halftime show. His set consisted of "Drive My Car", "Get Back", "Live And Let Die" and "Hey Jude". It featured an interesting stage design, fireworks, and fan-held placards.
Earlier in 2003, McCartney went to Russia to play a concert at Red Square. During the concert, Russian President Vladimir Putin entered the audience. It was during McCartney's emotionally charged Hey Jude, that he called out Putin to sing along by saying 'Come on Mr. Putin!' At the same time, the men who were with Putin (believed to be security) were standing and singing along.
In June 2004, McCartney headlined the Glastonbury Festival - his first ever appearance at a British music festival.
McCartney and festival organiser Michael Eavis picked up the NME Award on behalf of the Festival which won 'Best Live Event' in the 2005 awards.
McCartney performed at the main Live 8 concert on 2 July 2005, playing "Sgt. Pepper's Lonely Hearts Club Band" with U2 to open the Hyde Park event (the song choice reflecting the 20 years after Live Aid), then returning almost ten hours later to close the show with "Get Back", "Drive My Car" (sharing the vocals with George Michael), "Helter Skelter", "The Long And Winding Road", and an ensemble rendition of the refrain from "Hey Jude". Some controversy erupted when Ringo Starr criticised McCartney for not asking him to play with him at Live 8
In August 2005 it was announced that McCartney was the new spokesperson for Fidelity Investments. The company started a campaign called "This Is Paul", in which television commercials aired highlighting his many accomplishments and proclaiming his new relationship with Fidelity. The mutual fund giant also supported his US tour that year, and released a compilation for Fidelity employees and clients entitled Never Stop Doing What You Love.
McCartney's album Chaos and Creation in the Backyard was released in September 2005, coinciding with the start of another successful U.S. tour. Longtime Radiohead collaborator Nigel Godrich, suggested to McCartney by George Martin, produced the album, recorded in London and Los Angeles over the prior two years. McCartney was to use his concert backing band in the studio but later, at the suggestion of Godrich, decided to play almost all the instruments himself, including drums, guitar, bass, keyboards, block flute, harmonium, and flugelhorn. The album included both up-tempo and introspective numbers, and included "Follow Me", which McCartney had debuted at Glastonbury. "Fine Line" was released as the first single on August 29, 2005, with "Jenny Wren" selected as the follow-up. The album reached #10 in the UK charts and #6 in the US, and also achieved success in other countries' pop charts, such as France (#2) and Italy (#3). The album was nominated for three Grammy Awards, including Album of the Year.
He released a children's book in October 2005, called High In The Clouds: An Urban Furry Tail, which tells the story of a frog and a squirrel who save the lives of other animals. McCartney teamed up with veteran children's book author Philip Ardagh and animator Geoff Dunbar. The picture book was released with a first print of 500,000 copies.
McCartney joined Jay-Z and Linkin Park onstage at the 2006 Grammy Awards in a performance of his Beatles' classic "Yesterday" to commemorate the recent passing of Coretta Scott King, while also performing "Fine Line" and "Helter Skelter" on his own. McCartney later noted that it was the first time he had performed at the Grammys and that 'I finally passed the audition', a clear reference to a statement made by John Lennon at the end of The Beatles' famous rooftop concert.
In March 2006, McCartney finished composing a 'modern classical' musical work named "Ecce Cor Meum". It was later recorded at Abbey Road Studios with some well known musicians, including the Academy of St Martins in the Fields and the boys of King's College Choir and Magdalen College, Oxford. In the same month, McCartney and his wife Heather travelled to Prince Edward Island to bring international attention to the seal hunt which they believe is inhumane. Their arrival on the floes sparked much attention in Newfoundland and Labrador where the hunt is of cultural and economic significance. The couple debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. The couple stated that the fishermen should quit hunting seals and begin seal watching business. Reaction was mixed. Some criticised that McCartney should quit his music job as it is an unnecessary luxurious activity.
On 17 May 2006, McCartney and his wife Heather announced they are to separate, citing constant media attention as detrimental to a harmonious relationship. Media speculation is rife over the amount that McCartney will have to give his wife, with sums between £50 million and as high as £400 million being mentioned, although Heather has claimed that she is not interested in any money as settlement.
On 18 June 2006, Sir Paul celebrated his long-awaited and much-publicized 64th birthday, bringing his own life full circle to The Beatles' song "When I'm Sixty-Four", which McCartney composed in his youth, in honour of his father Jim. According to the BBC news, on this day, McCartney 'says his children have urged him to disappear for the day, which is sure to trigger a flurry of press attention.                                                                    

Article from : Beatles Booklet 4.1
      
Monday, February 14, 2011


The Beatles – With The Beatles  

Not A Second Time
Lennon/McCartney

I
G                                    Em
   You know you made me cry
G                                     
  I see no use in wonderin' why
   D       G     D7
I cry for you

II
G                                          Em
  And now you've changed you mind
G                                      E
  I see no reason to change mine
   D                    D7
I cry it's through oh

Reff
Am7                              B
      You're giving me the same old line
G                     Em  
   I'm wondering why
Am
   You hurt me then  You're back again
B          D7                      E
No    no no, not a second time

Music : Am7 Bm Em , D Am Bm C Em E

I , II, Reff

              G     E
Not a second time      
                G      Em
Not the second time
            G           E
No no no no no    no no no





The Beatles – With The Beatles

Devil In Her Heart
Drapkin

Intro : Am7 D7 G
                                
Reff
                           Am7
She's got the devil in her heart
D7                        G
   But her eyes they tantalize
                            Am7
She's gonna tear your heart apart
D7                        G
   Oh her lips are really thrilling

   G7
                             
I
C                    Cm                G
I'll take my chances    for romance is
                G7
So important to me  
C                    Cm                     A7
She'll never hurt me    she won't desert me
                       D7
She's an angel sent to me

Reff
                           Am7
She's got the devil in her heart     no
D7                 G
no this I can't believe
                            Am7
She's gonna tear your heart apart
D7                              G
   No no nay will she deceive 

II
C                           Cm          
  I can't believe that she'll ever ever go
G                      G7
  Not when she hugs and says she loves me so 
C                    Cm                     A7
  She'll never hurt me    she won't desert me
                  D7
Listen can't you see?

Reff
                                    Am7
She's got the devil in her heart  oh no no
D7                      G
no   this I can't believe
                                         Am7
She's gonna tear your heart apart
D7                              G
   No no nay will she deceive

III
C                  Cm         
Don't take chances    if your romance is
G               G7
So important to you
C                    Cm                     A7
She'll never hurt me    she won't desert me
                       D7
She's an angel sent to me

Reff

                              Am7
She's got the devil in her heart  oh no no
D7                    G
no no this I can't believe
                            Am7
She's gonna tear your heart apart
D7                       G
   No no nay will she deceive 

End
                           Am7
She's got the devil in her heart 
D7                        G
No she's an angel sent to me
                           Am7
She's got the devil in her heart 
D7                        G
No she's an angel sent to me

  G10                                





The Beatles – With The Beatles

I Wanna Be Your Man
Lennon/McCartney

Intro : D7
I
E7                   
I wanna be your lover baby  I wanna be your man
I wanna be your lover baby  I wanna be your man              
Love you like no other baby  like no other can
Love you like no other baby  like no other can                                 
      
Reff
E7                          F#7      
      I wanna be your man    
B7                           Em
      I wanna be your man   
C#m7                     F#m7      
      I wanna be your man     
D#7                       E  D/E
     I wanna be your man   

II
E7
Tell me that you love me baby  Let me understand
Tell me that you love me baby  I wanna be your man
I wanna be your lover baby  I wanna be your man
I wanna be your lover baby  I wanna be your man

Reff
E7                          F#7     
     I wanna be your man    
B7                          E
     I wanna be your man    
F#7                        F#7      
     I wanna be your man    
B7                          Em  E
     I wanna be your man   

Music : E7                                               

III
E7
I wanna be your lover baby  I wanna be your man
I wanna be your lover baby  I wanna be your man
Love you like no other baby  like no other can
Love you like no other baby  like no other can  

Reff
E7                          F#7     
     I wanna be your man    
D#m7                    E
     I wanna be your man    
Cm#7                     F#7      
     I wanna be your man    
Dm7                       Em  D/E
     I wanna be your man   

End
E7
    I wanna be your man   oh    I wanna be your man   oh
    I wanna be your man   ho  ho  




Sunday, February 13, 2011
                                                

The Beatles – ’With The Beatles’

It Won't Be Long
Lennon/McCartney

Intro:         

                C#m
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                 E
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                 C#m                      A                E
It won't be long Yeah (yeah) till I belong to you

 I
A                        C                    E
Every night when everybody has fun
A             C                       E
Here I am sitting all on my own

                C#m
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                 E
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                C#m                       A               E
It won't be long Yeah (yeah) till I belong to you

               E          D#
Since you left me  I'm so alone 
                 D                    C#7
Now you're coming  you're coming on home
 A                      B7
I'll be good like I know I should
                      F#m7                      B7
You're coming home  you're coming home

II
A                 C                                         E
Every night the tears come down from my eyes
A             C                              E
Every day I've done nothing but cry

                C#m
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                 E
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                C#m                       A               E
It won't be long Yeah (yeah) till I belong to you

               E          D#
Since you left me  I'm so alone 
                 D                    C#7
Now you're coming  you're coming on home
 A                      B7
I'll be good like I know I should
                      F#m7                      B7
You're coming home  you're coming home
                                                                         
III
A             C                E
Every day we'll be happy I know
A                C                                      E
Now I know that you won't leave me no more

                C#m
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                E
It won't be long Yeah (yeah) Yeah (yeah) Yeah (yeah)
                C#m                       A             
It won't be long Yeah (yeah) till I belong to you
G    F#7    Fmaj7    Emaj7
                            Woooo